Freitag, 19. Oktober 2012

AL QUDS UNIVERSITY COLLEGE OF MUSIC PROJECT

Al-Quds University started a new academic music project for Jerusalem and the Palestinian Territories. Aim of the newly established Al-Quds University College of Music Program is to provide musical education, professional training and academic activities at the highest level for young performers, composers and scholars in an environment that stimulates creativity, artistic performance, innovation and research.


Professor for violin Edua Zadory at a concert in Ramallah

The College of Music Project operates within a network of Palestinian and international academic music institutions and offers talented students from all backgrounds the chance to develop their knowledge, musical skills and artistic expression which will help them to contribute to musical life in Palestine and abroad.



AL QUDS AUTUMN ACADEMY - A VIBRANT MEETING PLACE FOR MUSICAL TRAINING AND PERFORMANCE

The launching event of this new music program was the first Al-Quds College of Music Autumn Academy which was supported by the German Representative Office in Ramallah and presented various concerts, artist panels and exhibitions.


Aglaia Mika, Raed Said and Wassim Odeh

Venues of the Autumn Academy were the University campuses in Jerusalem and Abu Dies as well as historical places and buildings in the Old City of Jerusalem like the Patriarch's Pool or the Hammam Al Ayn and Hammam Al Shifa at the Centre for Jerusalem Studies. The last concert on October 10th took place at the Khalil Sakakini Centre in Ramallah.



Singers of the Scmidt's Girs College in Jerusalem


The Al-Quds University College of Music Autumn Academy wishes to contribute to the cultural revival of East Jerusalem and the Old City through artistic encounters and performances. The highlight of this concert series was the world premiere of the winning submission of the first Al Quds Composition Award.


A POEM TO INSPIRE COMPOSITIONS

"Impossible Grace" a poem written by Indian poet Meena Alexander has inspired the first Al-Quds Composition Award. Alexander wrote "Impossible Grace" while she was poet in residence at Al-Quds University in 2011. 

Poet Meena Alexander and composer Stefan Heckel

"I was haunted by divisions in this city of golden stone and prayers, and the fact that some of the gates are shut to people" Alexander said, referring to ancient gates in Old Jerusalem, and Israel's constant military presence. "And the almost impossible light that edges it all, the mystical Jerusalem."

Selected by a panel of international composers and contemporary music experts, the winning composition received a prize of 1000 Euros and two public performances in Jerusalem and Abu Dies under the artistic direction of Anke Rauthmann, director of the Berlin International Opera.

Stage Director Anke Rauthmann, Set Designer Maria Tupay Duque, Meena Alexander and Stefan Heckel





The goal of the award was to encourage the creation of high quality chamber music that combines the human voice with elements of both Arabic and Western European musical traditions, thus celebrating the cultural uniqueness of the city of Jerusalem.

Al Quds University was delighted to receive submissions from Palestine, Austria, Spain, Finland, Brazil, Switzerland, Poland and the United States.

The poem "Impossible Grace" which has already been published in the United States in a literary journal TriQuarterly Online, was also part of a pamphlet of Alexander's Jerusalem poems, published by Al-Quds University in conjunction with the winning composition's October premiere.


WINNER OF THE FIRST AL QUDS COMPOSITION AWARD

Winner of the first Al Quds Composition Award is the Austrian composer Stefan Heckel. His composition was remarked by the committee of experts for its special instrumentation, its atmosphere, originality and sensitivity regarding the use of Meena Alexander's text.


Stefan Heckel - winner of the Al Quds Composition Award 2012


Stefan Heckel, who has been connected to Jerusalem in his work as an artist for many years, perceived Meena Alexander's poem as a promenade through the Old City of Jerusalem. He composed a musical equivalent to Meena Alexander's lyrics by creating a musical style recalling medieval and oriental sounds choosing the oud as his leading instrument. 



Bassbaritone Christian von Oldenburg on stage at Abu Dies University Campus



The world premiere of "Impossible Grace" was performed by an ensemble of Palestinian and international musicians and was enthusiastically acclaimed by audiences in Jerusalem and Abu Dies. Further performances of "Impossible Grace” are planned for the coming season.


Recording session at Al Quds Educational TV in Ramallah

The piece was recorded at Al Quds Educational TV in Ramallah and will soon be presented by the Al Quds University College of Music.

For further information about the Al Quds College of Music please visit: http://music.alquds.edu or contact petra@music.alquds.edu, Phone: (0) 54 46876 40 or +43 664 2549593.


Donnerstag, 9. August 2012

DIRECTING SHAKESPEARE´S MIDSUMMER NIGHT´S DREAM AT THEATRE THIKWA BERLIN


How is it to direct a Shakespeare play with a cast of performers who are mentally and physically disabled? - Not any Shakespeare, but the multi-layered Midsummer Night´s Dream, with its erotic confusions and dramaturgical twists?

In short: it has been a life changing experience, a great challenge, and a great joy.
I learned to be amazed again. Amazed by my actors who portrayed their characters with such originality, poetry, intensity and purity, as well as with great humor and anarchic wit. It has been like coming back to the sources of creativity which go back to childhood, to our innermost human core - and human we all are, if you define us as disabled or as normal. And aren´t we all  - in one way or another - handicapped? Least neurotic and emotionally starved….


Working with the special actors from the unique Thikwa company has liberated my creative spirits and made me re-discover one the secrets of theatre:  it is about giving up control- not an easy task for a director - and surrender to playfulness, to utter honesty and to the excitement of uncertainty. And what a creative adventure it became!




5 professional guest performers joined the cast of 15 disabled Thikwa actors. Within a 2-months rehearsal process, the performance emerged almost organically.
It was a mix of improvisations, text-analysis, physical work-outs, trips to the forest and discussions about love, jealousy, men and women - all based on Shakespeare´s formidable play. We laughed and cried a lot during those weeks. 
Conceptually, I kept the narrative and the 5-act-structure of the play, yet I modified the scenes and  looked for their essence to create physical, visual and acoustic images for the emotional states and confusions of the protagonists.


(c) Gerhard F. Ludwig

The fairy-world was entirely embedded into music - and Oberon, Titania and Puck, performed by experimental, classically trained singers (Philipp Caspari, Almut Kühne, Annelisa Nathan), exclusively communicated  in singing voice.

Theseus and Hippolyta  spoke Shakespearean language (in Erich Fried´s poetic translation), yet the lovers and craftsmen used their own day-to day language, inventive and witty and straight to the point!

Never did I compromise on artistic standard, quite the opposite. I was lucky to collaborate with composer Antonis Anissegos, who wrote mesmerizing electronic music, and Isolde Wittke, who designed with great intuition a versatile and abstract set - a  cosmos true to Shakespeare´s "all the world´s a stage".

During the work process, a deep emotional and artistic bond emerged between the performers and me. When rationalizing and intellectualizing became difficult, I had to surrender to the truth - my own emotional and creative truth as well as theirs. And thus my sensitivity and perception heightened - both as an artist and as a human being. 


This unique emotional bond connected the entire cast - disabled or not. Performers of various artistic background -  opera, drama, experimental dance - and with very different mental and physical capacities, became one team - spirited and joyful and fiercely wanting to perform. And this - luckily - conveyed itself to the audience - who sat happily through 2,5 hours of variations of Shakespeare.
Notably Torsten Holzapfel - a member of the company for many years- touched the audience´s heart with his overwhelmingly moving and funny performance of Bottom, the weaver.

Bottom the weaver, (c) meytal Zur

And then the young lovers,  most of them still inexperienced in acting, autistic, with down syndrome, and cerebral damage, they all displayed an energy and talent on stage, which was breathtaking.  

(c) Meytal Zur


After 17 representations in autumn 2011 in Berlin - and two shows within the framework of the festival "No limits" -  the production was shown again in July 2012 with sold out performances each night.


Anke Rauthmann, Berlin August 2012
  


SOMMERNACHTSTRAUM (Midsummer Night´s Dream) - Theater Thikwa Berlin

concept & stage direction: Anke Rauthmann
music: Antonis Anissegos
set: Isolde Wittke
costumes: Claudia Möbius
lighting: Christian Maith
dramaturgy: Nicole Hummel

with: Addas Ahmad, Nico Altmann, Heidi Bruck, Philipp Caspari, Jonny Chambilla, Inga Dietrich, Corinna Heidepriem, Torsten Holzapfel, Almut Kühne/ Laura Besch, Jan Uplegger/ Ariel Nil Levy, Vincent Martinez, Anne-Sophie Mosch, Anne-Lisa Nathan, Tim Petersen, Oliver Rincke, Rachel Rosen, Mereika Schulz, Patricia Schulz, Wolfgang Weichert, Christian Wollert



About the author:

(c) Pierre Martinerie
Anke Rauthmann is stage director and librettist working on commissions for Opera Bonn, Mecklenburgisches Staatstheater Schwerin and Komische Oper Berlin. She directed for Opera Fürth, International Vocal Arts Institute in Tel Aviv, Rossini Festival in Wildbad, Open Air Festival OperOderSpree as well as for the Royal College of Music in London. She is chairwoman and artistic director of the Berlin International Opera. Anke Rauthmann is also an actress and in 2010 won the first prize with the German-Israeli play Schweigeminute by Hila Golan at the Akko Festival in Israel. She is a member of the International Theatre Institute (ITI) in Germany.